Thank You, Robot Week! Day 4: John Robert Wilson

My improv group Thank You, Robot is celebrating our 3rd anniversary as a team this week here:

Thank You Robot flyer

Each day this week I will be talking about a different member of the group, and why I love them as performers. Today: John Robert Wilson.

JR is, in my mind, a wildcard, and I mean that in the best way possible.


JR posing as his character from UCBW. In his head is only one word – “GAMECUBE!”

When people say ‘wildcard’ in improv, they often use it with a negative connotation, and I think that may be because often people who play wildly can’t back it up. The reason their crazy, hilarious idea or character is often found wanting is because that person doesn’t have the skills to keep it focused. Not JR. He creates stuff out of left field, because he initiates first, then lets his mind catch up to what he’s doing. He trusts himself that he can deliver on whatever he’s promised the audience in that first or second line, and he’s right to do so, because he can.

He also is never NOT having fun on stage. He will make himself Swamp Thing in a scene, just because. He revels in the idea that you can create anything in improv as long as you sell it, which is why you will often see him as some type of mad scientist, wizard, mythological monster, or…well, Swamp Thing. It’s infectious and exciting. So often, we get bogged down by all the notes and instruction we’re given and forget that this is supposed to be fun. JR reminds me of that all the time.

Even though he always has fun, JR is also dedicated to working hard at improving. I believe that performing is fun, but it’s much more fun when you’re GOOD AT IT, and I know JR feels the same way. When we practice, he’s usually the first person to volunteer for whatever exercise we’re doing, even if we’ve never seen it before. Even during practices where we all feel like we’re failures as performers, JR is still the first one to bounce back and try again. That also goes a long way towards keeping me out of my own head, which is where I often find myself if I am not sleeping and am still breathing.

The guy is also one of the best straight men I’ve worked with. When he plays straight man, he’s hilariously unflappable. Once in a scene, he was, apropos of little else in the scene, accused of hoarding hobgoblins in his basement. His reaction was, dead faced, “guilty as charged.” He then launched into his sane reasoning for doing so, which made enough sense that I wanted to get a basement and some hobgoblins later.

If I had to sum him up in three words, they’d be: wildcard, fun, dedicated.

If I had to sum him up in three songs, they’d be these (right click to save):
The Rentals – Waiting
Lo-Fidelity Allstars – Cattleprod
Das Racist – Combination Pizza Hut and Taco Bell (Wallpaper. RMX)

Visit JR on the web:
www.johnrobertwilson.com

Thank You, Robot Week! Day 3: Jeremy Bent

My improv group Thank You, Robot is celebrating our 3rd anniversary as a team this week here:

Thank You Robot flyer

Each day this week I will be talking about a different member of the group, and why I love them as performers. Today: Jeremy Bent.

I will posit this: the only reason Jeremy Bent hasn’t taken over the world is either because it’s not worth it to him, or he is just that benevolent.

Jeremy Bent
Jeremy (front) rocking “Brandy” by Looking Glass, backed by Ted Leo and the Pharmacists. For reals! He was so good, Ted kicked himself out of the band, and they’re now known as Jeremy Leo and the Pharmacists.


The guy is BRILLIANT. If there were types of letters that emphasis harder than caps, I’d use them. He is unflappable, and knows something about everything. I always know that I can discuss whatever I so choose on stage with him, and that he will not only react but add to it with some nugget of info that I didn’t even know. If you’ve never done improv before, you have NO IDEA how satisfying that feels to have someone that knowledgeable on your side. It comes from the fact that, at any one time, Jeremy is involved in 18 different things at once. Seriously, dude is a renaissance man.

He’s also great at tying our insanity together. Where we’re a bunch of flapping walruses onstage, silently panicking about what we’re doing, he pulls it together with one line. Jeremy sees the logic in whatever is happening, and grounds it in a way that doesn’t take the fun out of what is happening, but instead makes it more relatable, and thus, more interesting.

For as logical as he can play, he also knows how to make a scene explode right out of the gate. His initiations are always clear, dynamic, fun, and exciting. When he steps out and starts a scene with someone else, I find myself cursing the fact that I’m not in that scene, because it looks like so much damn, simple fun. He once started a scene, where someone else came out holding their arm, by revving a chainsaw and saying “that’s why they call me Dr. Chainsaw!” I was squatting in the corner, out of breath from laughter. I know that’s a “you had to be there” moment, but goddamn, I’m glad I’m there any time he performs.

If I had to sum him up in three words, they’d be: brilliant, kinetic, exciting.

If I had to sum him up in three songs, they’d be these (right click to save):
Julian Casablancas – Out of the Blue
Ted Leo – Me And Mia
Talking Heads – Lifetime Piling Up

Visit Jeremy on the web:
goodsongsbadlyrics.tumblr.com

Thank You, Robot Week! Day 2: Seth Lind

My improv group Thank You, Robot is celebrating our 3rd anniversary as a team this week here:

Thank You Robot flyer

Each day this week I will be talking about a different member of the group, and why I love them as performers. Today: Seth Lind.

I want you to think of something really strange and funny to say. Something off-the-wall. Got it? It’s still not as clever or creative as whatever Seth will come up with the next time he opens his mouth.


Seth once spent a month doing undercover work in the 1930s as a zoot suit salesman to make his olde-tymey characters more believable.


Seth loves introducing high concepts to the stage, but he doesn’t just abandon them. Most people want to drop some type of clever bomb on their scene partners and the audience, then panic and back off, leaving everyone with a limp scene about the aftermath of a cool thing that happened. Seth knows how to not only knock you back with the way his mind works, but also is fully capable of pulling you in to the world he created. He once made me a sorority girl, and himself a dragon, and made me give him a blowjob on stage. Not only did it work and make sense, but it was hilarious.

I get both excited and intimidated to be on stage with him, because I literally never know what’s going to come out of his mouth next. He often starts his characters with some type of physicality, and if his shoulders hunch, or he shifts his body weight down slightly before he opens his mouth, prepare yourself to see and hear something you have never seen or heard before. Seriously, his physicality is awesome. Dude finds ways to make standing still look interesting. He may be my favorite member of the team to sit back and watch from the back line, because I am always surprised, and always laughing when he is performing.

Regardless of how offbeat his characters can be, they’re always honest. He’s versatile, too. He is perfectly capable of playing an incredible straight man, reacting in real and honest ways to whatever bullshit you (meaning ME) might spew out. He isn’t odd for odd’s sake; in fact, there is always a logic to how he is behaving in scenes. That’s what pulls you in, and it’s what makes you want to see more.

If I had to sum him up in three words, they’d be: madgenius (yes, one word), honest, hilarious.

If I had to describe Seth in three songs, they would be these (right click to save):
The Dirtbombs – Chains of Love
Against Me! – Up The Cuts
The Avett Brothers – Kick Drum Heart

Thank You, Robot Week! Day 1: Chris Scott

My improv group Thank You, Robot is celebrating our 3rd anniversary as a team this week here:

Thank You Robot flyer

Each day this week I will be talking about a different member of the group, and why I love them as performers. Today: Chris Scott.

I have been very lucky.

For all the bitching and whining I do about my life, I do understand the areas in which I have been actually hit with the luck stick and been allowed to be a part of something special. One of those places has been improv. About 3 and a half years ago I met some of the best performers I’ve ever had the privilege of taking the stage with. To have been lucky enough to be swept up in their madness and allowed to be a member of what became Thank You, Robot was one of the best gifts I’ve ever been given. These guys have been some of my closest friends in comedy. We’ve all pushed each other, and helped each other grow, made each other more confident as performers, and more daring as an ensemble. A lot of people that try to do comedy either go at it alone or fall in with petty people who have NO ONE’s best interests at heart. I’m proud to say that neither has ever been the case with this group, especially not Chris Scott.

Chris Scott
Chris, serving up gifts even when he’s NOT on stage.

Chris has an amazing energy on stage, like a spring constantly extending and recoiling. He is capable of creating reserved, thoughtful characters that have the type of insight you THINK you have until you actually try to play like him and realize you don’t. On the flipside, he can also be a bounding ball of energy, screaming and hollering and exploding with emotion. My favorite characters to see him play are pompous assholes that are so confident in their meager skillset that you sit on the edge of your seat waiting for their world to fall apart around them. I believe Will Farrell and Adam McKay call that character type the “mediocre man.”

None of this means anything, though, if it doesn’t make SENSE, and that’s something that Chris makes happen when he steps out. He sees the stage like he’s not on it, knowing what needs to be clarified, and what needs to be blown out. Then, he serves up the simplest moves that not only make the scene make sense to YOU as a performer on stage, but to the audience as well. Kids, if you ever want to perform with someone that will make YOU look like a genius on stage, call Chris.

The only time I’m ever uncomfortable onstage is when I’m performing with people who hesitate, and that is something that Chris has NEVER done. He is balls out, unafraid, and revels in whatever is taking place at the moment. He shares the POV that I do – if you’re gonna do something onstage, SELL IT. This thinking has actually found us making out for reals on stage in more than one show (you’re welcome, ladies). It has also, however, found him doing scenes where he is unafraid to break down emotionally, to actually be a vulnerable character, which most people have trouble doing because you have to make yourself a lot more open than most are comfortable with.

If I had to sum him up in three words, they’d be: fearless, committed, and honest.

If I had to sum him up in three songs, they’d be these ones (right click to save):
Fang Island – Daisy
Alphabeat – Fascination
Los Campesinos – This Is How You Spell “HAHAHA, We Destroyed The Hopes And Dreams Of A Generation Of Faux-Romantics”

Visit Chris on the web:
twangofthevoid.blogspot.com
chrisreblogs.tumblr.com
obamarama.tumblr.com

Two Thousand Nein

Hi.

First off, I will finish the story about doing comedy that I started last May. For someone who seems to have no problem getting on stage and whooping like a fool in a rainstorm (in some alternate reality, that was a famous olde tymey saying), I get self-conscious about indulging my own work in that manner. But I will finish what I started!

So! 2010. It’s not even 60 days old and it’s already a better year than last. To say 2009 was the worst year of my life is a disservice to understatement. The understater making that remark would be fired for not working up to his own potential.

While I am a comedian, writer, etc, I still have to hold down a day job to help keep a roof over 3 heads – mine, my ladyfriend’s, and Henry Madison, the intense humping rabbit. However, I lost my job last year the DAY before I went on my first real vacation since becoming an adult (I took the online course to do that; got my certificate in 2005). I never realized how much stress and depression not bringing in money can put on a person. I spent 9 plus months of 2009 sitting on my couch without a job. It hurt A LOT. People trying to get in to the entertainment industry often times have to take jobs they don’t want to support themselves, and it’s tough to deal with the notion that jobs that you don’t want actually don’t want YOU.

Continue reading

I Am Not Afraid And I Will Beat Your Ass #5 & #6

Once again back is the incredible…a sketch a week. This time, two!

Ash Wednesday / Safety First

One thing I’m learning from this endeavor is that I immediately have notes for myself as soon as I post these, which is good. That means I know where I’m making mistakes, and what can be improved upon. Eventually, that won’t be part of the post-posting process.

This time I’m doing two at once, since they’re both less than a page. These are actually ideas that I posted on my old LiveJournal years ago, and in the course of hitting a wall/being swamped with other work, things that I could revisit and translate. They’re pretty straightforward. Enjoy.

Ash Wednesday
Safety First

I Am Not Afraid And I Will Beat Your Ass #4

My continuing sketch series. An exercise to get me to write at least one sketch a week. Again, fell behind, so a couple all at once.

Celebrity Breakup News

People seem to care so much about what’s happening with celebrities, almost at the expense of their own lives. Snoop culture, and not the fun kind that involves smoking weed with a man whose last name is Doggy Dogg.

Celebrity Breakup News

Ground Williams Highlight Reel 6/9/09

I can’t recall whether or not I’d mentioned the show on here (EDIT: I hadn’t) but Nate Kushner and I have started a stand-up show in Williamsburg called The Ground Williams Show. First one was last night; it was a lot of fun. Here is a hastily-thrown together highlight reel of the show, about 5:30 in length. I’m hoping I also get better at editing these together (on iMovie UGH) as time rolls on. Enjoy.

Next show is Tuesday 6/30/09 at 8:30 PM. Legion Bar in Williamsburg, Brooklyn.

Visit www.groundwilliams.com for more info!

I Am Not Afraid And I Will Beat Your Ass #3

Continuing my new weekly sketch series. Two-for-one this week, as I missed last week’s deadline (see #2 for explanation).

Sex And The City Action Figures

I seem to really enjoy writing commercial parodies. Expect to see a lot of them, I guess. Anyhow, this was a concept I had in a sketch class last year; an 80s-style commercial for an action figure tie-in for an unlikely action figure line. I always loved how these types of commercials were loosely related to the films upon which they were based, and showcased three different versions of the same figure. I also like bad puns, and SatC is a perfect outlet for those types of jokes.

Sex And The City Action Figures